In this thrilling episode, we delve into the supernatural tale of Patrick Casey, a young Irishman with a penchant for procrastination and a talent for fiddling. Set against the backdrop of Halloween, Patrick and his fiancée, Molly McBride, find themselves in a bind when they must pay overdue rent to the stern Sir Timothy O'Hare. As the story unfolds, Patrick is drawn into a mysterious and eerie encounter with the ghost of Sir Timothy and his servant, Michael Feeley, leading to a spectral adventure that tests his courage and love for Molly.
Join us as we explore themes of love, redemption, and the supernatural in this captivating narrative. With a blend of humor and suspense, Patrick's journey from a carefree fiddler to a determined young man willing to face the unknown for his beloved is both entertaining and heartwarming. Will Patrick secure his future with Molly, or will the spectral forces of Halloween night prove too formidable? Tune in to find out!
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The anchor Hawking Glass Corporation brings you crime photographer.
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Hi, Ethelbert. Why the grim? Well, Casey, tomorrow's Halloween, and I keep thinking of old Lem Peabody. Why him? Old Lem could think up more tricks for Halloween. Nobody could beat him. He was famous for his tricks. Well, I suppose that's one way to get famous, to do something better than anyone else. Oh, you're so right, Kasey. And you know when you make something better than anyone else, you become famous too. And that's why Yanker Hocking is the most famous
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name in glass. Good evening, ladies and gentlemen. This is Tony Marvin. Every week at this time, the Anchor Hocking Glass Corporation of Lancaster, Ohio and its more than 10,000 employees bring you another adventure of Casey crime photographer, ace cameraman who covers the crime news of a great city, written by Alonzo Dean Cole. Our adventure for tonight, great grandfather's rent receipt. The Blue Note Cafe, the night before Halloween. Strange. That's tonight. In honor of the event, the long mirror behind the bar has been more or less tastefully decorated with the decorations used last year and, for a number of Halloweens before that. And Casey, regarding them critically.
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Aethelbert,
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why don't you ever get some new decorations in this place? Yes. And and those witches look awful tired.
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I know Casey. I told the boss, but he said the only guys who'd be critical of our old Halloween decorations were a few of our old customers who always owed us money anyway.
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So Boy, did I step into that one like a dog. Why, Casey, you know I'd never dream of hitting.
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But if you got $28.40 in your pocket Alright. Here's 20.
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Let the $8.40 ride and give me a receipt. A receipt? Uh-huh. Since when ain't you trusted me? I always take receipts. You never asked me for one before. You didn't let me finish. I always take receipts for Dole paid out just before Halloween. Just before? It's been an old family custom, Ever ever since my great grandfather's terrible experience.
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What was that?
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Maybe I better let sleeping ghosts lie.
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Sleeping
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ghosts, did you say? Yeah. Great grandfather's experience
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was with the supernatural. Uh-oh. I think we've stepped into something, Ethelbert.
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Is it scary? Mhmm. Scared my great grandfather plenty. Like to hear about it. You're set to tell it anyway, so go ahead. Yeah. We're listening. Well, to begin with, great grandfather was a Casey, and the Casey's were Irish. Now he tells us that. My great grandfather Casey, whose first name was Patrick, by the way, was a young guy when this happened. By his own admission, he was one of the laziest lugs in County Cork. Oh, so you get it from him? I'd ignore that. But like all of us Caseys, he had a lot of talent and personality. We ignore that. Mhmm. Well, he was a fine fiddle player, and all the girls around were crazy about it, especially Molly McBride to whom he'd become engaged.
Well, one fine October day in Ireland nearly a hundred years ago, the two of them were on their way to pay the rent.
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Patrick, will you get above that log and stop your fiddling? No money, darling. How can you delay so when what we have to do is so important for us both?
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By noon, you promise to pay sir Timothy the rent you owe him. Dark night will be upon us before you reach his lordship's door. Ah, the old man won't mind. Sir Tim dawds on me, Marley. Why when I served under them in the army, pat my boy, he used to say, pat my boy. Give me that fiddle. Here, here, now let go, Marley. You break it. Patrick,
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last night when my father, against his better judgment, lent you the farmer and you owe Sir Timothy, 'twas faithful you promised him you'd settle down to work and stop idling idling with your tunes. But that is a promise I'm keeping from the day you and me are married on the day after all said stay. Oh, so you're putting off keeping it. Patrick Casey, unless you make up your mind and turn over a new leaf this very second, there'll be no marriage between you and me. I promise.
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Sure. Sure. I swear it. Then let's be on our way to his lordships. We start this very instant after you give me a kiss. No. That's wasting time. Kissing you is never wasting time. Now let me go, Pat. Let me go. Oh,
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Patrick, it is so much stronger you are than I am. Ah, I love you, Alana. You really are going to settle down. You'll no longer be just procrastinating Pat the lazy fiddle player as folks call you. I so want you to be known as mister Patrick Casey, the ambitious
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businessman. Tis that I am right now, Marty. Then let's be on our way to Sir Timbs. Tis like the wind I'll go there, but first let's have another kiss. No.
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Just one moment. No. I tell you, Patrick. No. Oh, Patrick. It is so much stronger, yeah, than I am.
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That's the kind of a guy my great grandfather was when he was young,
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and that's the kind of a gal Molly McBride was. Well, I hope she finally bent that fiddle over his head, Casey.
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No. She didn't, Nanny. Great grandfather got what was coming to him another way. Go on and tell us. Well, Aethelbert, the two of them got to the landlord's house about five or six hours late. This landlord was a tough old character. The rent owed him was long overdue. And outside his door, Pat had an attack of cold feet.
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Money, money, I've been thinking that poor sir Timothy's a a very sick man, and we shouldn't disturb him so late in the evening. Now let's let's come back in the morning. No.
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It's not a second longer. I'll let you procrastinate. Here, now don't pull that bell cord, Molly. I If you're going to take me as your bride on the day after all saints day, Pat Casey, it's a house you've got to have for me to live in. And there'll be no house unless your rent is paid. Are you still the money that my father lent you? Aye. It's safe inside me pocket. Now when you pay it to Sir Timothy, mind you get a receipt for it. A receipt? Quilt, he's a businessman I'm making of you, Pat. You get a receipt. Oh, darling. You don't understand. No. I don't.
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Darling. You don't understand. No. I don't. Someone's unlocking out the door. It'll be old Michael Feeley, his lordship's body servant and another hard, rough man. He was once a sergeant over me. So does you, Pat Casey.
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You're late. Get inside here. Yes, sir. Come on, Murray.
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She'll ease your lordship.
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At last, you stand before me. Take it. Good good evening, your lordship. Good evening, you bid me. When at noon, you said you'd be here. Come close to this chair I'm chained to with me, sickness. Could I twist your lying throat? Stay where you are, Pat. Yeah. I will, money.
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Lord and Bones, he's brought a woman with him for protection. He did no such thing. As a responsible tenant of your lordships, he brought me here to introduce me. Do it, Pat. Sir Timothy O'Hare, this is Marty McBride, my, future wife. You you are the future wife of the procrastinating, Pat? I am going to marry mister Patrick Casey on the day past All Saints Day, your lordship. Mister Patrick
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oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
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oh, oh but but should wife or no wife pay? I want the money you're owing for a full term's rent. And since I can't pay as I know you couldn't, I'm going to ring your neck. I have the money for you. Here, look. It's in this bag.
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Oh, oh, Michael Fili. Bring me brandy quick. For the full term, your lordship. I borrowed it to pay you with. Oh, borrowed it here.
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That explains everything. For a moment, I thought you'd gone to work and earned it. Give me the money first, and may the lord help its lender. Me father lent this money, sir. Well, your father, and sure you mustn't take a word I've said in earnest.
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Si. I told you this man dotes on me. Marley, we best be going now. Not till you get your entry seat. Marley, I beg you. It is a matter of business. The man might die and we'd have not to show. Ah, sir, Tim will never die because heaven won't have his likes and the devil will be fair to take take him in. What are your two questions to yourselves, Abhay?
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Please, your lordship, for the rent Patrick's paid, we want a receipt.
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A receipt? No. No, your lordship. Yes, your lordship. I you've got disregard to miss mistrust and all hell. No, sir. But just the same. We want a receipt. You oh, brains and pawns.
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Yeah. Alright, young woman. She'll have it. You picked a card in for yourself who knows what she wants and and and gets it. And that's it she wants for procrastinating Pat, and she's going to marry the nitty.
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The the master has a poor wee heart, Pat. You should take shame for yourself making him laugh like that.
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You you you you know what? She what's the matter?
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Pat, he slumped over in his chair. Michael.
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Michael Feeley. With your master, sir Timothy. He's dead. Dead?
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Ah. I was mistaken about the devil. He wasn't a fair to take his lordship.
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Pat, we didn't get our receipt.
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Oh, well, it's alright, Molly. The silver we paid is here to prove our claim.
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Where is the silver? He laid it beside him on the table. Well, it's not there now.
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Molly, the money's gone.
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And it was a great mystery where the money had gone to. My great grandfather and his fiance searched everywhere. Did they search that servant cage No. No. No. Albert. But there was to be later proof that Michael Feeley didn't take the bag of silver. Well, tell us what happened next. I'm going to where? You know, a hundred years ago, you couldn't just pick up a telephone and call in help when death occurred.
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They laid the old man out decently in his bed, and Pat was putting off going for a priest in the undertaker while Molly worried, and Michael Feeley,
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stricken in a chair.
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We've no receipt to show you ever paid that money, Pat. When sir Tim's son John takes over the estate, he can hold you for the whole term's rent again. Why, he can do no such thing money. Not when there's Michael Fieldy to testify that he saw us pay it. I'll testify if I'm able, Pat. If he's able, he says Pat. Mind you, you don't start him laughing himself to death.
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I can't realize me that your old master's gone.
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Pat, do you really think the devil took him as you said a while ago? Well, as as one who knew sir Tim's character, Michael, in in in both war and peace, I I hardly think the blessed sands would want the man. Wherever he's gone, he's all alone.
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Now I'm all alone after being his friend and servant party years.
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Pat, where do you suppose our rent money went?
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To my mind, the solution of that is very simple, Molly. Knowing how his lordship loved money, I think he took the silver with him. Sure. And it'll be entirely melted by now. But you shouldn't be talking to the dead this way. Whatever else you may say of him, Sir Tim was a man.
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And now I shall hear him not call me Michael Pheley no more. Michael Pheley. Patrick. Molly. 'Tis the voice of me, master. I'm coming, sir Tim. All mighters come to join. Stop him, pet. He's our only witness. Dear Michael, wait. Come back. I'm here, lordship. Again. We're together again.
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Dear Michael. Michael. Here now stand up, man, and speak to me. Aramole. He's not? Yes. The man's date. Oh,
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now we've got nothing to show for the rent. What are we going to do?
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The the ghost of that old sir Timothy
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called the servant. Okay? My great grandfather said there could be no mistake about the voice, Edward. It was sir Timothy O'Hare, and he was dead.
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Gee. Then the servant died too. Definitely and completely.
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Which, left your ancestor in quite a tough spot. The spot got tougher, Annie. John O'Hare,
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sir Tim's son and heir to his estate, was a lot different from his father. He was one of those cold, fishy, holier than thou birds. And the old man had despised him. Naturally, he demanded the past due rent on Pat's farm. And when he was told
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I swear I paid the ransom John just like we've said. But you have no receipt. We had a witness.
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And like my honored father, that witness is dead. Enough of this farce. Patrick Casey, a terms rent ye owe. If ye do not pay, I turn ye off your farm. Oh,
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we meant to be married on the day after All Saints' Day. Better for you Molly MacBride that such misfortune be averted.
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Casey, tomorrow is All Saints Day and I want me money then or out you go. I can't borrow the money twice. I care not how often you borrow it. I ask only that you pay it once. You produce me father's holy memory when you say you gave him that of which he left no trace behind. Well, how could he leave a trace and when his master took a master's sudden? What do you mean by
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his master? The devil of Carcer who took both man and silver. To dare
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insult the sacred memory of me parent. Holy pious man who was now with the heavens angels. Patrick, Casey, I gave you till All Saints Day to pay the money that you're owing. Now I won't accept the money. Instead, you must bring proof of the vicious scandal you've just mouthed. And when you don't, I'll not only turn you from your farm, I'll have you jailed for slander.
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Oh, Apache.
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Oh, Molly. It
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seemed to great grandfather that he didn't have a possible out after that one. He took Molly to her home, and that night on Halloween, the two of them sat on her doorstep while he played the hopeless thoughts.
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Don't play any more sad tunes, Pat. Put your fiddle down. Alright, Marty.
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There's a fine mess of things I've made. Is there nothing that we can do? Well, you heard the young lord. Tomorrow, I must produce proof. That you paid his father money. And that his father took it with him to, where I think he went. Tis a difficult assignment. It is a tremendous assignment.
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You'd have to die yourself to get such proof. Molly,
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do you do you insinuate that if I died, I'd be thrown into association with the likes of such him? Oh, no. The Lord forbid. If if I could only meet the devil here in in a personal, friendly way.
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Patrick Casey. Molly.
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It is my father calling from inside. Marie, may I have that good for nothing and come into the house? Your father don't like me since I lost the money that he lent. Marie. I must go in. I love you, Pat. And I love you. Good night, darling.
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Good night, Pat.
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Sure. And a cold doorstep is soon the only place I'd have to rest. Well, come, fiddle. After tomorrow, it'll be you and me wandering in the cold hard world alone. Tomorrow, come All Saints' Day, money will be lost in me forever. Could I have another chance? I'd mend my ways. I'd even go to hell for another chance.
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Would you, though? What? Procrastinating bat.
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His lordship's voice. His laugh.
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Michael Veely. Michael Veely. Yes, my lord. It's both of them speaking from the dead. Michael Veely, fetch that lady's coundrel
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downhill. That I will, sir. Where are you? I can't see you. Now I see you now, Michael Fili. Your your ghostly form. From Pat to his lodge. No. No. No. No. Go away. If you fear, stay where you are. If you dare for the chance you wish but now, then come. You mean for Molly? I Sure, and it's dreaming I am, but lead on. You have no part to go. The door lies here. Door? There's but a hole in the ground. Will close like a door once you you enter. For, for Molly? Aye, sir. Tim waits below with your rent receipt. Lead on, man. I follow. First lay down your fiddle. It must be left here. The fiddle? Tis wood and very dry.
Oh, Oh, I, I get your implication. Stay here and scorch, fiddle. Now lead on quick, Michael, before I change my mind. I come.
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The earth is closed above me here. Let me out.
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Yes. Admit, miss Frederick. Now you stay a while. Well, you
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you have the silver I paid you and and and my rent receipt. Now you're going to give me one or the other so I can wed Molly on the day after all sale. Stop. Excuse me, sir, for my social error. Here I know one should not mention sale. No. Oh, sure. I'm I'm completely mortified at my own bad manners. Well, now, sir Tim, will you please hand me that silver or my rent receipt? And I prefer the last name. Not yet, Beth.
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Nothing for nothing, miss Rude. We live by here. If something you want, then something you must do to earn it. For what you hold, I'll do anything at all. You're the fiddler boy. Will you play us a tune?
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It'll be a pleasure of the finest.
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But above, sir Michael Feeley, had me leave nothing. Yeah. Because here we have a special one for the other place. He reaches path.
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Just one of metal that glows with white hot heat.
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You can leave this place as you came in. A worthless bag, Bond. Or you can leave with self respect and win the colleen the chiller. Which fiddle will you play? The one you left outside
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or this one here? For for for Molly, you'd you'd give me that rent receipt?
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Or the silver to prove your tale to the fool who is Nissan. I advise the receipt. It is asbestos. The silver has been head over long to ever cool.
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I'll play your white hot fiddle, sir.
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Michael Feeley. Place in his hand. Aye, sir. Now play a jig tone, Pat, and and do not skimp it. Play every note and dot and bar. Oh. Play from beginning to the finish and earn your right to live and long.
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Great grandfather didn't remember the details of what happened right after that. But next morning on All Saints Day, the sexton found him lying in the churchyard in a peculiar place and in a peculiar condition. He ran to tell Molly McBride, and she lost no time in coming back with
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him. Speak to me, Patrick.
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'Tis me, your Molly. His eyelid fluttered open then. The man's coming too. Oh, thank heaven.
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He lives.
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Oh, how come he to be lying on old Sir Tim O'Hare's grave? Oh, look at his poor hands. They're burned to the bone. Yet he's clutching something in them, something white.
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Second chance. Are you speaking? Tell me you're alright, Pat. Tell me. Molly. Molly darling. Oh, Patrick. I'm a Kushner lion. Oh, even now, Pat. You're so much stronger than me. Why are you lying here and what happened to your poor Hans? Oh, my Hans. Molly, what day is? Call Saint's Day, Pat. Tomorrow's our wedding day that was to be. This, is to be, you mean. Leave me to Sir John. Who? What do you mean, Patch? Da. Soon you'll know for yonder Sir John right. Run, Patrick. This is your last day of grace. Run and hide before he has you jailed. Sure. And I'll not run from that man. Let's look by the mark we want. Woah.
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Barney, column. Seize that worthless scam for me. No. No. Touch me not. I warn you. Here, sir John, is your parents' rent receipt. Hat. What stuff is this? Until you go at Marnin. You said you had none from his head. That was a day ago at Marnin. Do you know your father's writing? Holy saints, his very scrawled. But yesterday it's dated. It It was made last night to be exact. Eve of All Saints' Day. When came you by this? Perhaps, sir John, for your family's honor, it is a matter we should discuss in Christ. Yes. Yes. Yes. Everybody's
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step aside. Not I. You'll have no discussions, Patrick, that I don't know about. Perish the thought, darling.
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Now your lordship that we are all alone, the three of us together, you'll know this receipt is written on unburnable material. It is in my favor, sir. They did since his death. I see that you've drawn your own conclusions. Patrick, where on earth did you get that right? Nowhere on earth, madame. Well, your lordship, is this the proof you demand? Patrick be free. If you'll just give me that receipt, we'll let the matter drop. To preserve the reputation of your sainted father, I'd be glad to let you have it, sir. But this receipt is all I have to show that I paid me rent. I'll give you another gladly. Well, now I I, I have a fancy for this one. I'll give you a receipt for two years, Pat. No. Now I'm thinking that the signature of a dead man on asbestos will be worth much more than that to autograph collector. We'll say five years free rent and the money you borrowed, I'll pay back myself. Pat, take it quick. Board your horse's money. I am thinking, sir John, that the bride I take tomorrow should have a fine wedding, Caruso. That too, I'll give. And a wedding trip, the two of us. It'd like across the seas to America. It's yours. And I'll throw in a personal gift to boot, Pat. I'll buy you a fine fiddle.
That that you want. From the feel of my hands, I never want to see you fiddle more. But all else is a bargain, your lordship. Bring that that paper to the manor, and we'll put it all in writing. Goodbye to you now, and blessings on your way. Oh, Pat.
[00:26:16] Unknown:
Five years free rent, a bridal trousseau, and a trip to America.
[00:26:21] Unknown:
Kiss me, madame. Would you have me waste time before I get the deed in writing? I am now mister Patrick Casey, the ambitious businessman. Oh, Patrick. I don't like you this way. Oh, and don't you know? Come to me, money, madame. You know, your way. It is much stronger you are than I am.
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[00:28:02] Unknown:
So your great great grandfather married Molly McBride on the day after All Saints' Day,
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yes, Adelbert. When they came to America on their wedding trip, they liked the place so well they stayed there. Eventually contributing one press photographer to their adopted country. And a very good press photographer, Annie, if I may say so, miss Oates. You can't win with this guy, Miss Williamsburg. No, I've discovered that, Ethelbert,
[00:28:24] Unknown:
Casey. There's a gorgeous moon tonight.
[00:28:28] Unknown:
It's a real harvest moon, Annie.
[00:28:32] Unknown:
You like to drive home the long way?
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Oh, if I didn't. Sure. It is much stronger you are than I am.
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Crime photographer starring Stutz Cotsworth as Casey is brought to you each Thursday by the Anchor Hocking Glass Corporation, makers of Fire King Oven Glass. Anchor glass containers, Anchor caps and closures, all products of Anchor Hocking, the most famous name in glass. Prime Photographer is directed by John Deats. The original music is by Archie Bleier, and the program features miss Jan Minor Razzan and John Gibson as Ethelbert. Pat was played by Carl Swanson and Molly by Kathy McGregor. Herman Chittison is the blue note pianist. This is Girl Scout Week. Week. The girl scouts believe and rightly so that better citizens build a better world. Tonight, Anchor Hocking gladly salutes more than a million girls from seven to 17 and their leaders who are part of the splendid movement, making a real contribution to peace through understanding and friendship.
This is Tony Marvin saying good night for the Anchor Hocking Glass Corporation of Lancaster, Ohio with offices in all principal cities of The United States and Canada. This is CBS, the Columbia Broadcasting System.
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