In this lively episode, Ryan shares his amusing experience of playing Chumba Casino on a flight, only to find his seatmate doing the same. He delves into the fun and excitement of Chumba Casino, highlighting its wide range of free casino-style games available anytime, anywhere. Ryan also poses a fun question to listeners about their celebratory reactions when they win, encouraging them to explore the games and bonuses on offer at Chumba Casino.
The episode takes a comedic turn with a humorous skit featuring characters like Costello, Abbott, and Mrs. Niles. The skit is filled with witty banter and playful insults, as Costello finds himself in a series of laugh-out-loud situations, including a piano lesson gone awry. The episode concludes with a chaotic yet entertaining attempt at a piano concert, showcasing the comedic talents of the cast and leaving listeners in stitches.
(00:00) Introduction and Casino Anecdote
(01:04) Costello's Car Trouble and Gasoline Shortage
(02:21) Kissing Booth and Comedy Banter
(03:18) Charity Concert and Club Activities
(05:02) Meeting Janet Blair and Piano Performance Plans
(07:13) Piano Lessons and Musical Comedy
(14:04) Concert Performance and Comedic Chaos
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plus. Oh, there you are, Costello. What's deaf? Wherever you been? Oh, I was driving down here right to the studio on my job, and a cop was calling me all the way, Evan. When I was fast, he went fast. When I was slow, he went slow. Well, what did you do? What did I do? I got in the car. I went back to the car. I said, hey. Officer, is anything wrong? She said, no. I was just siphoning gas from your tank. I didn't wanna break the tube. No. Some cops come Well, not tell you. You have to expect those things. There's a terrible shortage of gas and all, and we have to conserve. Oh, I'm doing my fair habit. I don't even use gas. I use beer. Beer? Yeah. Doesn't that make the motor a buck? No. Burp. Burp. I have to walk you up. Yeah. That's silly. Of course, in some countries where they don't have any gasoline at all, they burn coke. They burn coke. Oh, they put coke in their tank. So the bottle's dry? I know.
That's terrible. That's ridiculous. I don't know. Well, hello, fellas. Oh, here's Kim. I'm I'm sorry I'm late, fellas, but I had to pick up my wife at the big Bond rally at Hollywood And Vine. She was at the kissing booth. What was she doing? Selling or buying? How's the year, Costello? I'll have you know that my beautiful wife doesn't have to buy kisses. Why? She has lips like petals. Yeah. Bicycle petals. Oh, I heard that remark, Costello. What did you say that my lips look like bicycle petals? Because your nose hangs over like a mudguard. Oh, it so happens that everyone thinks I have a very nice nose. Too bad it's not in the middle of your face.
Oh, you Oh, you Oh, you, you what a pallet's merry. You think you're so smart, Don't you, Cartel? Oh, I get around. I do a little reading. You ever hear of a tree grows in Brooklyn? What are you? A hawk that grew in Pittsburgh. I don't like most of my time. That was wonderful, dear. Yes. Get a guy really struck him out that time. You're just the old man that can do it. Now talk sense, Costello. Say, missus Niles, Ken tells me that you've been doing, some charity work lately. Oh, yes, miss Abbott. Is that simple I came to see you about? You see, our club is putting on a big bed at the concert tonight. You know, our West Side Lady Gin and Runny Club? That's just yeah. We're remodeling our clubhouse, the girls' room, the wallpaper, and the boys, and they must be planted. Well, boys will be boys.
Will you keep all of it? Well, as if with you and this bad thing, like entertain the ladies tonight? Why, we'd be glad to, missus Niles. You may be at it, but I'm not. I ain't gonna entertain a bunch of old hen. Oh. You're hurting. There is no woman in my club older than I am. That's old enough. Oh, I'll remember that with Mark Costello. I won't forget it if I live to be a hundred. That's two more years. Okay. Stella, stop fighting, please. Oh, I'm gonna Oh, here comes the Tim and I'm sorry. To me. Miss Rabbit, I'd like to have you meet the famous movie star, miss Janet Blair. Thank you, miss Stiles. Hello, mister Abbott. And don't forget me, miss Blair. The name's Costello. Oh, oh, so you approve of miss Blair, Costello?
Never looked at me like that. You never looked like that. Well, so you're new Costello. I don't mind admitting I'm a little disappointed now that I see you face to face. What'd you say? A face. Come on, Janet. I mean, that's Get away, Costello. I don't I thought you didn't wanna have anything to do with the club. You said they were a bunch of old hands. Yeah. But you just, presented new evidence. Castello. Oh, I need those hands if it's Cinderella so on there. That's tonight's new baby chick. Take it easy, now. Now look. You're just wasting time. I came here to ask you to entertain an odd charity concert. You see, I've been looking for talent high and low. How come you didn't find me? I never looked that low.
Oh, good for you, Janet. Oh, Oh, I'm glad you're turning this fat boy off. He has such a comfy. Well, from where I'm standing, it looks more like a dupe. You might as well know, Costello, that I just want mister Abbott to be master of ceremony. Then the only other act I need is a concert piano. Oh, so you're going to have a piano solo, Janet. Oh, I love the piano. Oh, Lee Tobin is my favorite. I'll bet you were his favorite too. Now cut that out, Cartelo. I don't like it. But look, Kevin. I really wanna help in the entertainment with Janet Blair. You know why? Because I love Janet.
Alright, Cartelo. You met yes, you can help me. Look, Costello, you can help me. You play the piano solo. Oh, but I can't play the piano solo. But, Costello, you must play. Yes. Very close. I can't play the piano. But look, Costello, I'll put my arms down. I can't play the piano, but Costello Well, well, well, well, well, madam. But what am I gonna do? I can't play the piano. You dummy. It's your own fault for telling Jeanette Blair that you'd play her for a concert tonight. Now what number does she want you to do? Oh, she wants me to play the flight of the stumble bum. By a richie? By a richie? Of course of all. Of course of all. That's crazy. Now listen.
No. No. No. No. A scale is, a chromatic arrangement of notes. It's going from, dough to dough. Goes where? From dough to dough. Now do you know what goes from dough to dough? Yeah. Traveling salesman. Hey, no. We are from dough to dough. I don't know how to behave. You're a dough? No. Good for me. Come on. Let's get back to the music. Okay. Now the first note on the scale is dough. Now what comes at the dough? The finance company. You don't know your music. You don't know my finance company. But pay attention, William. First, there's dough, then comes gray, and after a comes me. What are you doing in this?
I'm not in this when I say me. I don't mean the me that means me. No? No. I mean the me that means me. Now you're talking. Of course I'm talking. You're talking, but you ain't saying anything for that. I'm sorry. Move on. No. No. No. No. No. Request, please. Pay attention. I'm trying to sell the scale. The scale starts with dough then comes ray, me, and so. So. So. So what? In our office. Not so what? So far. So far. So far. Okay. So far, but no further. I'll get knocked. Just the other line for that. Wait wait a minute. Just a minute. You got me all mixed up. Wait a minute. You you make me put so ahead of far. Amon, you ask. Quiet.
After far after far so comes lotto. You see? Yeah. But I I didn't know you talked baby talk. It isn't baby talk. The scale runs from dough to dough. There's dough on the top and dough on the bottom. Dough on the top and dough on the bottom. That's right. Now what have you got? Apple pie. Apple pie. I don't know why I'm wasting my time with you anyway. I sent our music teacher to give you a lesson, and he should be here any minute. I wait a minute. Come in. Good evening, mister Abbott. Professor Nazzaro. I was just talking about you. I want you to meet my friend, Lucas Dello. So this is my little pupil, Fine. But he has nice, big, white feet. You're looking at the piano, brother. I'm up here.
Professor Cascolo has to learn to play the piano in a hurry. Yes. In a hurry. You know, because I promised, get up there. I'd play a a concert tonight. Oh, I can teach you in no time. Now just sit down here at the piano. I said, now place your right hand over the black key. Good. And when you start to play, you ring out all for this kind of force to raise. It's everything. And if the keys go through the microscope, you just have a rubber tail of anticipation. That's nice to murder, boss. Well, let's start another way. We said it. You take your left hand, place it over the white key, and simply run your melodies up at the cost of time playing the lights. Now as you come back and start playing, those little melodies will bring out the cost of the Bellator and spike all the rage. Not the real force of it. Don't bring a bass of sound wave. Just play out the chorus of sound wave. And label all the sound of praise to say it down the hall box with a counter bill with a hit of statistics and the hall box for what?
You see what I mean? Yes. I see what you mean. It's very plain, but I mean How do I know what to mean? Yep. Put that. Alright. Now so why don't you pay attention? Trying to teach you something. Certainly. After all, I just told you to sit down at the piano and merely count upon a race. Now I don't care if you play masterpiece or reverence or even several bit of automobiles. But I want you to be sure to play forces and counterfeits and bring out the Counterforce system. That's fine, Nathan, and it's fine, secret. Have fun of your stupidest dick. Okay, Costello.
I'll have you know that I play the piano by ear. Don't wanna get caught between the cracks. Casello, will you please stop insulting the man? Professor Nosello is a great pianist. Why, yes. I played for that great artist, Nelson Eddy. You ever hear him sing our sweet mystery of cannabatable, the sound of my motor's cover there? For Genie with a lifetime plant engine just over the default of our passenger system. No. But I heard Eddie sing Jordan flip flip. No. No. No. Yes. Now the fundamental of playing the piano was three chord. The first chord is Twist.
The second chord is Mafras. And the third is Plattelpoof. See, it's as simple as trying a day. I don't like the way you're flapping it. Now, Costello, suppose you try the same chord. The first is that's it. You like it? The second is the best. Good. Not bad, And now comes. No. No. Stop it. You you call that last one waddle folk? It certainly works, waddle wasn't. Whoop. Well, it wasn't. It wasn't waddle folk. You placed hand in place of force for the rest of group Mhmm. Priscilla, why do you fight with the man? He knows what he's doing. Yes. I can make that panel talk. I wish you would. I better talk to the piano. In all my years of teaching the piano, I never heard of a person telling me to watch the replay of pipes.
Are you taking me and think that I was taller wheeled or traced? For I can't even have always done it. The feel is playing all my face. Why I taught messful, calculators, fortune for fullness. I'll never teach a man who can't find waddle poop on the planet. Good bye. Well, they Good bye. Well, are you satisfied? You ruined your only chance to be able to play for Jeanette Blair tonight. Well, I don't care. I don't know. I'm getting pretty mad. Oh, dibble dibble. I don't mean to say a swear word. Take it easy. I wish I never started this thing. I hate this piano.
What are you trying to do? Break the piano? Oh, ever. Look. I've just, Whirlpool. Here we are. Hello. Here we are. We're presume you'll be playing a piano solo. Who's lying? A stag? Come on now. Just take it easy and don't get excited. Yeah. But I can't play the piano. Oh, shut up. Follow me. Dan, is this still the pretty music? Ain't it pretty? Pretty music. That's the artist tuning up. Sounds just like bottle popped on it. Oh, boy. There you are. Welcome to the Westside Ladies' Gin and Run Club. Oh, hello, missus Nail. Oh, I'm so thrilled about some ice concert. Well, I'm sorry to speak to you all because I just had to talk to somebody. There's so many wonderful things happening. You have no idea. I just took a Oh, boy. Abbott.
Can't you help me out? Take a something. Don't you know how to play the piano? Oh, I I move around with a little, you know, not much, but I only know how to play one number. Pistol Packin' Mama. Pistol Packin' Mama? Mhmm. Is that a new song? I know. Look. I'll tell you what I can do. There are two pianos here. I'll put a screen around one of them and then get behind the screen and I'll play. You will be able to see me as you play as you. I get it. Then I'll shoot the other piano and Janet will take that I'm playing. That's it. Are we gonna fool her? Hey. Place some number. You know, let me get how it sounds. Alright.
Wait a minute. Wait a minute. Hold it. Hold it, Abbot. Are you playing any key of eight? There isn't a key of eight. I don't know. It sound like eight to me. I don't know. Well, that's the best I can do. Take it or leave it. I'll take it. But listen. We gotta have some signals to do this. How are we gonna know when to start and stop? Well, now that's very simple. When you say all right the first time, I'll start playing. Alright. Alright. Alright. Alright. That's perfect. And I wanna hold it. Now you can't see me then. Bye. Yeah. But here here comes you're up there. Quick. Get behind the screen. Hurry up. Oh, miss Costello. I'm so glad you're here. You don't know what your piano playing is going to do to my concert.
Oh, yes. I do. For now, Costello, I think I'll just sit down here beside you on the bench. I wanna wash your fingers. Dogs check beside me, sir. Sit over there. Over here? Not over there. Way, way over there. Nobody sees my fingers. Well, alright. Alright. Just as you wish. Now first, I want you to play Procopius Prelude in a minor. You made it. What's that? Procopius Prelude in a minor. Twice, you mean. Okay. I'll play put the coffee in a pail for the minor. Alright. Better work it, Kenneth. It's gonna sound a little bit like this would make a mono. Well, that doesn't matter. Go ahead and play. Okay. Here we go.
Alright. Alright. You hear what I hear? She's freaking Well, miss Costello, I'm waiting. Why don't you play the piano? I'm waiting too. Hey, Emmett. Come on. Alright. Alright. Alright. Alright. Alright. Wait a minute. Wait a minute, Costello. What is this all right business? What? It's a part of the song. It's the conciergeal. That comes that comes before the antipathy and the antipasto. Oh. Well, now look. Will you please start playing? I haven't much time. Alright. Can I ask you how to write? What was that? That's why it's in a panic. It's Oh. Well, now everything's Alright.
Why you keep saying alright? Tautela, why do you keep saying alright? This is getting silly. Who said alright? I didn't say it. You said alright. Who said alright? You said alright. Yeah. Hold on. Alright. I love it. Now what I see you like to play? Oh, come on. Let's keep going. Here we go. Castello. Yes, ma'am. Look, Castello, that was wonderful, and I wanna congratulate Well, I didn't know you could play so well. Oh, you didn't, No, sir. Boy, you're alright. Alright. Alright. Everybody's alright. Stop it. Wait till I pay it.
Wait. I see you alright. Can you play? Not now. Alright. Alright. Stop. Stop. Stop. Stop. Don't If we buy and fix tomorrow, we will have another rehearsal. Thank you. I think we played Burbank Berry Cook. So juicy, strong, Jeanette. Look, Jeanette. I am too. I love you, honey. Look, mister Costello, there's nothing to get excited about. Nothing at all? No. Not a thing to get excited about. Well, honey, please don't congratulate me anymore because we're skipping all over the joint. Yeah. You know where I'm going. Hello? Hello Don't say it. Don't say it. Don't say what? Don't say your life.
Introduction and Casino Anecdote
Costello's Car Trouble and Gasoline Shortage
Kissing Booth and Comedy Banter
Charity Concert and Club Activities
Meeting Janet Blair and Piano Performance Plans
Piano Lessons and Musical Comedy
Concert Performance and Comedic Chaos