In this lively episode, we delve into the fascinating story of Dave's Killer Bread, a brand that has revolutionized the bread aisle with its organic offerings and commitment to second chances. Founded by Dave, who returned to his family bakery after fifteen years in prison, the company not only aims to eliminate GMOs and artificial ingredients but also practices second chance employment, hiring individuals regardless of their criminal background. This inspiring tale highlights how a mission-driven approach can lead to success and societal impact.
We also explore a comedic segment featuring a chaotic radio station scenario with characters like Lou Costello and Cary Grant. The episode is filled with humorous exchanges, misunderstandings, and a variety of quirky characters, including a writer who hasn't quite mastered the art of writing and a singer with an unusual voice. This blend of comedy and inspiration offers listeners both laughter and a thoughtful reflection on redemption and opportunity.
(00:00) The Story of Dave's Killer Bread
(01:00) Chumba Casino: A Bright Spot in Your Day
(01:34) Costello's Radio Station Antics
(06:00) Talent Troubles at the Station
(12:19) Cary Grant's Visit and More Radio Chaos
(15:05) The All Night Record Program
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Attention shoppers. We now have taste in the bread aisle. Dave's Killer Bread. That's right. An organic bread that doesn't need three spoonfuls of Sriracha jam to delight your taste buds. Dave's Killer Bread is a 21 grain salute to the end of boring bread, a brand on a mission to make the most out of every loaf, to rid the world of GMOs and artificial ingredients, and plant the seeds of good in all that they bake. But Dave's Killer Bread has done more than raise the bar on bread. In fact, Dave's Killer Bread was built on the belief that second chances can change lives. When its founder, Dave, the guy with the guitar you see on every loaf, returned to the family bakery after fifteen years in prison, Dave took that chance and ended up creating what would become the country's number one organic bread while never forgetting his not so easy path. That's why at Dave's Killer Bread, they proudly practice second chance employment, hiring the best person for the job regardless of criminal background. And by the taste of it, things have worked out rather well. Dave's Killer Bread, Bread Amplified.
[00:01:01] Unknown:
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[00:01:33] Unknown:
plus. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Hey. Oh,
[00:01:34] Unknown:
what's the matter, Kastela? What's all the excitement? Oh, Robert. I gotta come over to my new radio station right away. I gotta broadcast something very important to the women about their Easter shopping. What is? I just passed the makeup me window, and either they were undressing the gummies or the women ain't wearing anything this spring. Hello, Blair. Let's talk then. I'd like to know one thing, Costello. Why can't I hear your radio, on my station at home? Why is it that I can't hear it? I can't get the, thing in at all. Can't No. No. What wavelength are you broadcasting on? Oh, the wavelength. Well, we've been broadcasting on little bye bye. Little bye bye? Yes. Shortwave.
Look. How long have you been mixed up with shortwave? Ever since I got slapped by a tall what? Look, I'm trying to find out the power of your radio station. How many volts do you have? Oh, I got plenty of volts. I'm trying to volts. My motor volts I don't know. No. No. No. No. No. No. No. No. No. No. No. Not volts. I mean volts with an l. L. What voltage? Yeah. Guess what? That's right. What price? What is voltage? I'm asking you. And I'm telling you. You're telling me what? Yes. Here we go again. Oh, listen. I'll explain it another way. At your house, you have a little electric light bulb. Now what do you see on the bottom of that bulb? Light.
But suppose the flies weren't there? Then it wouldn't be my house. Oh, this is just a waste of time. I don't know. Well, good evening, fellas. Say, what's all the noise about, bud? Oh, hello, Ken. I was just arguing with Gudgel about his radio station. Oh, that pilot junk. Yeah. Well, I'm not interested in his radio station. He wouldn't get me a job as the announcer. Niles, your hands are too long. I need an announcer with little tiny hands. Little tiny hands? Yeah. You gotta have short pause for station identification. Look, I'll tell them. Will you stop fighting with Niles? After all, you're a fine one to judge talent. That's right, bud. Yeah. I even refuse to give my beautiful wife a job as a singer, and her voice is trained. Trained? It ain't even housebroken yet.
Oh, I heard that remark, you fat, ponsoon head. I tell it for you to hear, you skinny ass. Crustello,
[00:03:53] Unknown:
take it easy. You might be interested to know that many people have prayed my singing.
[00:03:58] Unknown:
Yes. Every time you start to sing your dog, he's home. Last time he left, you took his own house with him. Don't pay any attention to Crustello. Time he takes you, shall I? Pay no attention to him, mister Niles. Let him keep his radio station. Well, frankly, mister Abbott, I am a little disappointed because I did still wanna do a short wave broadcast to our boys overseas.
[00:04:17] Unknown:
You know, I have a leaning toward soldiers.
[00:04:20] Unknown:
I saw you tilt the little poor sailors.
[00:04:24] Unknown:
Oh, how dare you speak to me like that, you big fat blubber head?
[00:04:29] Unknown:
Mister Sniles, I am not a blubber head, or either am I a pet.
[00:04:35] Unknown:
Not theft. We only could use you to replace a landing barge for active duty.
[00:04:44] Unknown:
Darling, you really told him that time. Oh, dear. Your wit just staggered me. Oh, no, darling. Your wit staggers me. Oh, no, dear. You stagger me. Oh, no. I insist you stagger me. Ladies and gentlemen, you have just heard from two punch drunk fighters. Oh,
[00:04:59] Unknown:
no. Oh, I love you doing so.
[00:05:06] Unknown:
Costello, that's no way to handle people. If that's how you're conducting your radio station, you won't have a listener left. Answer that. Station IOU, the voice of the creditors. Lou Costello speaking. Mister Costello, I've listened to your new radio station ever since it started last week, and I think your programs are wonderful. Really? Yes. I was going to send you a fan letter, but I can't write it until next week. Oh, what happens next week? That's when they take off my straight jacket. Yeah. I am. Yeah. Fine.
Hello? Hello? Is this the city dump? No. This is Lou Costello's radio station. Close. Was not. Hey. When that guy was born, something terrible happened. I mean, he lived. Oh, there you are, Costello. Listen. I just called a Talladega, and they're sending a lot of talent over to do programs for you. Actors, writers, and singers Listen to me, Evan. I'll take care of all the singer myself. Don't forget, I studied opera under those three great singer, John, Charles, and Thomas. Oh, that's silly. Silly, is it? I studied opera with Lawrence, Timmett, and Gypsy Rose Lee. I'll wait a second. Gypsy Rose Lee doesn't sing.
Who cares? I don't believe you're a singer at all, Costello. Did you ever sing professionally? Sure, Abbot. I used to sing in a fish market. Well, I had to sing for sale. We had a quartet, Abbot. Fish market quartet? Surely. We had first tuna, second tuna, barracuda and vast. Did your quartet make any money, Costello? No. We just sang for the halibut. Well, don't worry. We had a good purpose. Well, no worry, Costello. Wait on my tail instead here. I'll get some good programs for your station. Oh, come in. Oh, Costello, it's that lovely new singer I discovered. Come in, my dear. Oh, thank you. Mister Costello, my name is Janet Washout.
[00:07:14] Unknown:
You mean washout? No. Washout. I work in the laundry. You look like you've been through the ringer.
[00:07:20] Unknown:
Oh, shut up, Pastella. Miss Washout is a wonderful singer.
[00:07:25] Unknown:
Let her show you her ring. I don't even wanna see her kitchen. Alright. No. No. No. Oh, but I have a very unusual voice. I hit a high b above a high a. Listen.
[00:07:38] Unknown:
Hello? Hello? I did. Okay. Goodbye. What happened? 600 men just knocked off work at Lockheed.
[00:07:48] Unknown:
Oh, let me all look here.
[00:07:51] Unknown:
Why did you insult that girl, Costello? She came here very highly recommended. In fact, I know her dressmaker. You're standing there telling me that that team's got a dressmaker? Certainly. I thought Betsy Ross only made flags. Come in. Pardon me. Is this station I owe you the voice of the creditors? Tell them. Look who it is. Carrie Grant. Hello. Hello, boys. How's everything? Me. Hey. You should have let me know you were coming over. I ain't prepared. Why? What do you mean? Well, if I knew you was coming, I would have got a finger wave. Oh, talk sense, Costello. Carrie, this this visit's a great surprise. What brings you over here to Costello's radio station? Well, but next Sunday is Easter. You can't get those candy eggs, so I thought I'd come over here and pick up the real thing. Yeah. Yeah. Yeah. Yeah.
Well, probably you can pick that one up. You brought it in with you. Oh, no. No. No. Don't take offense, Lou. I was only kidding. I think you're a very funny fella. In fact, everybody at our house gathers around the radio each Thursday night at 07:00. Yeah? Yeah. And at 07:30, we turned it on. At 07:30, we're off the air. Alright. Never mind. Hey. Costello, you met Cary Grant's family. Hurry, I met his family. I climbed up the tree and shook hands with his father. I wish Bunny fella. Well, Costello, my family remembers you too. Uh-huh. Because that is all but my grandmother. Don't your grandmother remember me? No. But she remembers your joke. Hey, Abbot. You better hold me before I kill this guy. Later, me. You better think twice. He's just twice as big as you are. Well, then hold him.
Quiet, Costello. Listen, Gary. Is there something we can do for you here at the station? But I'm gonna do something for you. I found the most talented fellow in the country who will absolutely be a sensation on the air. The fellow's a genius, does everything. His name's Don Barclay. Come on in, Don. Nice to have you with us, mister Barclay. And now what? What do you do? Can you sing? No. Do you recite? Uh-uh. Well, can you do imitation? So far, this guy is loaded with talent. Is that tenet? That's what everybody says. This guy will really build up your station. He's He's got a great program for the kiddies too where he reads the funny papers. Go ahead, Don. Read the funny papers. Okay. You know? Oh, boy. He sure love those funny papers.
This guy's dynamite. Are you almost through, Don? Not quite.
[00:10:41] Unknown:
Untrue.
[00:10:44] Unknown:
The papers were so funny today, weren't they? Oh, this fella killed me. He's gonna make a name for himself. I got a couple of them right now for us. Just a minute, Costello. Carrie, what else does Barclay do? Go on. You tell him, Don. Now listen, mister Abbott. Carrie and I worked up a great big finish. He stands on one side of the stage and I stand on the other, and we juggle 75 Indian clubs back and forth without dropping a club. Are you ready, mister Grant? Ready, mister Barclay. Well, then here we go. Wait a minute. Wait a minute. Wait a minute.
What kind of juggling is that? I didn't even see any Indian club. Oh, well, we haven't learned to do it with clubs yet.
[00:11:33] Unknown:
Let's pause here on CanX.
[00:11:45] Unknown:
George Burns and Gracie Allen. Hopalong Cassidy. Edgar Bergen. The Shackle. John and Blanche Bickerson.
[00:12:07] Unknown:
Now back to the Evan and Costello Show here on KNX.
[00:12:20] Unknown:
Come in. Well, hello, fellas. How's the radio station coming along? Harry Grant, get out of here. Now I have enough trouble. Your troubles are overcast, teller. I've got just what you need. A great writer. That's what your station needs. Did you ever hear that famous poem? Snow, snow, beautiful, snow. Did he write that? No. He shoveled it. Abbot, I wonder what the women say in this car. Shut up. Harry. For you. Harry. Where is this rider of yours? Right at the hall. His name's John Parker. Come on in, John. Hello, pal. I Oh, the mental midget is back.
Hey, Grant. This is the same guy that juggles with our club. Oh, yeah. But he gave that up. He's a writer now. Now show him one of your script, Don. But, Carrie, this is a blank piece of paper. Oh, well, he hasn't learned to write with words yet. Abbot, this guy is summer than me. Oh, no. You mean dumber than I. Okay. He's summer than the both of us. Just a moment, mister Costello. You've got the wrong piece of paper. Here's the script right here. Oh, it's a great show. And what are we waiting for? You fellas help us out. We show you just what this great program sounds like. The makers of Tip Top Toupee Paste presents another episode in the life of our friend, Phil.
Now a word from our sponsor. Men, do you suffer from flying toupee? When the man in back of you sneezes, does the man in front you automatically wear your toupee? TikTok toupee paste is sure sick in the daytime and easy to remove at night. Listen to one purchaser remove his toupee. Ow. My head. My head. And now and now to our friend, Phil. As we look in upon Phil today, he is all alone in his room waiting for his long lost brother, Randolph, whom he has not seen for forty years. Suddenly, there's a knock at the door. The door opens, and Phil speaks. No. No. Reynold, we can't do you. No. No. It tells you to leave tomorrow. Can it be him or somebody else?
Hey, Carrie. That was a great program. Has mister Barclay got any more of them? Oh, I've got lots of them. Would you like to hear my all night record program? I'll wait a minute, Barclay. I bought one of them last week from Alan Laird. Oh, come on. Give that a chance, Costello. Let's all pitch in. Try it out. Okay. The makers of Miller's Meatless Meatball bring you the all night record program. Remember, folks, when you go to your butcher's tomorrow, ask for Miller's Meatless Meatball. You can easily recognize Miller's Meatless Meatball, and it is the only meatball that weighs 200.
And here's happy Louie to bring you nothing but music. Come in, Louie. Thank you. Thank you. And a good e good evening to you record fans everywhere. This is Happy Louie about to bring you the longest uninterrupted record program on the air. Every two hours of music each day. We start off this continuous dance music with a recording of Tea for Two played by Freddy Parkho and his makes you wanna sickness without dance orchestra. Okay, Freddy Parkho. T for two. This number is being dedicated to mister and missus Klausmeier on their seventy third wedding anniversary. Good luck, kids. Also dedicated to Richard and Rodney on their birthday.
Congratulations to Harry and Julia on their new c book. Also dedicated to cockeyed Sam the salad man at Jaime Delicate Durden and a Snooki Pod. And now back to dancing and Tea for Two. I want to interrupt the music for just a moment to tell you that you're listening to a recording of Tea for Two. Attention all women over four hundred pounds. Are you fat? When you walk by the corner drugstore, does the stale outside jump inside? When you stand up, do your rubber heels spread out like pancake batter? Can you lose your last dollar at poker and still walk away with a pot? Then get yourself a jar of fat away reducing cream tonight. Now a word from a satisfied user, mister Phil eight Finley. I used to weigh three hundred and eighty five pounds.
I was so fat that when I sat on a drugstore stool, I had a hangover. But since using your reducing cream, I am now down to only twenty six pounds. Girls notice me now. I'm the only son on my block who holds his loose skin around in a trailer. You have been dancing to the music of Tea for Two. Well, fellas, how do you like John Barker's program? Oh, come on. How'd you like John's program? Well, can he do anything else besides, not right? Oh, yeah. He's got some great imitation of wild animals. John, do your imitation of a wild mountain goat. Nah. Now two goats. Nah. Nah. Now three goats. Oh, a ghost. Oh, a ghost. Listen, Barclay. Do you wanna take that rare bird, the wild Australian, off? Yeah. Wild Australian off? How does it go, Costello? Come here, Barclay. I'll show you. Just put your neck between my two hands.
Like this? That's right.
[00:18:38] Unknown:
Get out of here. Go on.
[00:18:49] Unknown:
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[00:19:18] Unknown:
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