In this lively episode, we dive into a comedic adventure with Ryan as he shares his enthusiasm for Chumba Casino, a platform offering a variety of social casino-style games that can be played for free. The episode takes a humorous turn with a series of skits featuring characters like Judy, who becomes the life of the party after discovering Chumba Casino, and Lou, who finds himself in a series of absurd situations, including a costly mishap at a truck store and a comedic retelling of the classic tale of Aladdin.
As the episode unfolds, we are treated to a hilarious narrative involving a rocket ship experiment, where Lou is convinced to participate in a mission to the moon. The dialogue is filled with witty exchanges and slapstick humor, reminiscent of classic comedy duos. The episode wraps up with a playful nod to aviation history, as Lou humorously resists becoming part of a scientific experiment, all while entertaining listeners with his unique brand of comedy.
(00:00) Introduction and Casino Talk
(01:13) Traffic Trouble and Comedic Mishaps
(03:19) Aladdin and the Magic Lamp Parody
(07:43) Inventions and Rocket to the Moon
(13:13) Rocket Preparations and Farewells
(17:30) Aviation History and Final Decision
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[00:00:31] Unknown:
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[00:00:37] Unknown:
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[00:01:13] Unknown:
What happened to you? Tell me why are you late? Oh, am I in trouble, Adam? I drove my car to a red light. They're gonna fine me $2,000. Oh, ridiculous. They can't fine you $2,000 for going through a red light. Oh, no. This light was in a truck store window. Hey. That's terrible. Yeah. They also want me to pay $300 for cost. So what are the cost for? Well, when my car hit that truck store, I tailed over the windshield and split down a long soda fountain. En route, I knocked over eight bowls of milk, six banana splits, a bowl of tuna pig salad, and I wound up on a toothpaste counter with cerium and myriam. Hey. Wait a minute. Anything else? Yeah. The policeman took my boy scout knife and my lone ranger revolver out of my car. I said, hello. Why do you carry a knife and revolver when you drive a car? So I can shoot up one street and cut across the other.
Hey, Are you one of those Hollywood Drivers, Lou, who drives like a madman and pays no attention to the pedestrians, or are you, the other kind? What other kind? I ask there's others? Yes. There's others. Where were you going in such a hurry? Well, I had a date with one of those Towers models. She had one of them funny names. Was it, Candy Jones? Nope. Jillie Williams? Nope. ChuChu Johnson? Nope. I got it. Tower Cream Shapiro. Tower Cream Shapiro. Yeah. Stacy's the most popular girl in this deck of the woods. Any girl that next in the woods must be popular. But I ain't going out with this girl no more. She lives in Glendale. And over there, they got a 12:00 curfew. Well, they have a 12:00 curfew in every town, Lou. Room.
At noon? At because, Stella, day by day, you get more stupid. How can you be such a consistent idiot? I got a charge account. What's your excuse? What's my excuse? What's your excuse? No. Just look at you. Your appearance is just dreadful. Look. Why didn't you wear that new shirt I gave you? I can't. The color is too high. Every time I hiccup, my head disappears right before. I don't know why you're ever coming here tonight. Well, I had to have it. Why? All my little kid friends, they're all waiting for me to tell them a story of one of those famous stories I always tell them. Only tonight, I'm gonna tell them about Aladdin and this wonderful land. Oh, do do do. I'm gonna tell it right now. The only thing is that, but I ask you to keep your mouth quiet and set up when you don't sit up. Hold on. No. Now you don't interrupt me at no time at all when I get a fight. Not too worried about me. Not like you do every week. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No Aladdin who? He Aladdin who? Aladdin who? Yeah. Aladdin, a foreign country. Alright. Go ahead.
Abbott, I asked you to leave me alone. No. What? I just wanted to make sure I didn't I never heard this story. Trust me. Quiet. Alright. I'm sorry. You get me so much. Now take it easy. Take it easy. Now 11 had a more magic carpet. Magic carpet. He's dead on the carpet and pooped. It blew up in the air. Now Wait. What made the carpet go up? What made the carpet go up? Here. Now one day Aladdin was flying along on his carpet when another guy was passing a rug. This guy pulled out a towel and started puking at him. Now a lot of a lot of that. A lot of that. Wait a minute. Hold on. Hold on.
How could he shoot at him with a towel? This was a cannon towel. Towel. What are you looking at me, Tim? You only took Go ahead. With that story. Now one day, Aladdin found an old lamp, a real old old lamp. Oh, the lamp was so old, it was, extinct. Yeah. It was extinct. It smelled from oil. Alright. What did you tell me? So let me tell a story. Well, go ahead. Tell it. Now Aladdin rubbed the lamp and Joyce, A senior appeared with a white horse. Aladdin grabbed the horse's hair. Now I I I'm getting a job. You mean Aladdin grabbed the horse by the mane? Grabbed the horse by the mane? Yeah. By the mane what?
You grabbed the horse by the mean what? Sir, what are you saying? Go ahead. So all I know is you grabbed the horse by the means. That's the horse. The horse's neck. The horse's neck. Anybody knows that the horse's neck. Sir, humans, tell the neck. Oh my god. Now when the team told Aladdin he could have anything he wished for, Aladdin would just rub the lamp. So every time he rubbed the lamp, he got present. So he rubbed and he rubbed, and he got tough and more stuff until he had surplus. So after he had Wait a minute. Just a minute. I'll just enough. How can he use the word surplus When you don't even know what surplus means. I don't know what surplus means. You don't. Hey, man, you have it. I know what surplus what does it mean? I know it's a big word. What does it mean? I'll tell you what it means. Surplus means, like, if I have two pairs of shoes, that's surplus. So I give you one pair. Now if I got two dogs, that's surplus. So I give you one dog. Now if I got two beautiful blondes, that's surplus. So I Yeah. But why don't you put them shoes on and take that dog for a walk?
Wait a minute, you taker. How dare you come out here and deliberately take a classic from the Arabian Nights and twist it into a mishmash of falsehood and fabricate a diabolic absurdity. Wait a minute. What's your language? What do you mean? This program is being wigwagged to the campfire girls. Are you trying to ridicule me? Your friend who sticks to you through thick and thin. Why do you treat me so shamefully? Oh, I'm my bad boy. And are you sorry you told that story? But I've told that story with great success many times on the radio. How is it? I never heard you tell that story on the air. Air. Well, I I well, well, it so happens I did a story in the East, and it was transcribed from an earlier hour so it could be turned off at a more convenient time.
CUSTELA, I can't make up my mind whether you're a simpleton, a imbecile, or a moron. Got you for a barrel, ain't We're rich. My new invention is finished. I just took a machine for 75¢ that will save billions of time. A 75¢ machine that will save 500 Yes. Billions. What does it do? What does it do? Give me your hat and I'll show you. I I know I placed the hat on the machine and pulled the lever that lowers this thick cleaver. A fellow, you've ruined my hat. You cut my new Adam hat in half. Hooray. It's work. I have flipped the Adam. What that means? That thing will never make a nickel. But I have an idea that will make us $10,000 by tomorrow night. Just think, you'll be able to get a complete new wardrobe, a diamond ring, a car, and a chauffeur in just a minute at it. You ain't gonna get me to be queen for a day. No.
No. No. No. No. No. No. No. No. No. Cut. Tell us. Now here's how we get the $10,000. Now I've made arrangement with an inventor to use you in a great experiment. There is a going to shoot you in a rocket to the moon. And just for that, we get $10,000? Yes. Oh, boy. I wish you'd Who's gonna shoot who and what to wear? Calm down, Cartagena. You've got nothing to be scared about. There's nothing to it. You just get into the rocket ship and you get a free ride to the moon. That's different. For a minute, I thought you said I was gonna go to the moon. You did stay here. But I'm not gonna do it. You're not going to do it. I'm not gonna do it. You're not going to do it. No. After all the trouble, I had convincing the scientist that you were the man. Aren't you ashamed of yourself? What are you? A coward? A milk top? A white liver rat? A yellow snake? You can bet I'm in there someplace, but I ain't gonna do it. Shame on you, Costello.
You're not going to do it. Think of me. Think of what I went through convincing that scientist that you you should have this great opportunity, that we could make $10,000. Do you realize this scientist turned you down three times? He did? He did. He didn't want you to go in that rocket, but I forced the issue. That's my power. You're the child. I had set it up. Forced the issue. Absolutely. When the guy didn't want me, you forced me to handle the issue. So off I go. That's right, little old. That guy in the said you didn't have brains enough to fly a kite, or let alone a rocket. He said you were an incompetent knickaboo, A bloated blockhead and a nitwitted nannity.
Mhmm. That scientist said I was an incompetent knickapoo, a bloated blockhead and a nitwitted nannity. Was that his message to me? Yes. Then I want you to take my answer back to him. What is it? You tell him he's right. Period. Yes. I ain't gonna do it. Lock, talk then. Those rocket ships are safe. They operate on, uranium two three five. Haven't you heard of uranium two three five? No. But I know a honey at mean five three two. No. No. I'm talking about the, scientific formula for uranium two three five. Oh, rabbit. Why don't you say so? I just happen to have an army. No. It's well. Uranium two three five is a isotry. It's surrounded by poison frac activity activated by charcoal gum.
Please. You didn't think I knew it, With electrical rheostat on the Atkinson, Topeka, and a Santa Fe. All this is in the process of. Process of what? Exactly. And on that you make movies. Come in. Greetings, mister Abbott. Player is the jump. Tucker. The boy who's going to the moon in my rocket. Right here, professor. This is Lou Costello. Mister Costello, to make this experiment, you should have your parents' consent. Where is your maser and paper? They went to the theater with my fader and fader. Well, I hope I have more luck with you than we've had with the other 35 rockets I've aimed at the moon. You shot 35 guys up there already? What happened to them? I don't know. I lose more darn rockets that way. Well, I ain't going. That moon is a terrible place. Oh, no, my boy. The moon is lovely. The moon is made of green cheese. How did he get that cheese way up there? Haven't you heard of, the buttermilk sky?
Mine, that's pretty. Would you care to churn in? I don't mind. Let's tune through it together. Professor Cassell will be ready to take off tomorrow morning. Just a second, professor. What kind of a rocket is this? Well, it has 46 propellers. It's air conditioned. It has a snack bar. What makes it run? Twisted rubber band. Why? Twisted rubber band? That was a snappy air trick. I got my last patty. Don't stretch it. Forget him, Godzilla. We haven't got much time. Now what equipment will he need for the trip? Well, as long as you talk to me, I would have it. I'll need a supply of food and a native girl in case I get lost. Some warm clothing and a native girl in case I get lost. A camera and a native girl in case I get lost. And a map of Rhode Island. So why are you taking a map of Rhode Island? That's to make sure I get lost.
Hiya, fellas. Hello, Skinny. Hello, hoghead. I heard you were going to the moon, and I brought you something to take along. A pale, stealthy amount. What for? In case you meet a stealth with cold air. Kitty, who is this with you? Oh, pardon me. Hey, Costello. This is my girlfriend, Gwendolyn. She came down to get a last look at you. Oh, mister Costello, I consider myself fortulating me such I could quit here. I was such intellectual stuff here.
[00:13:42] Unknown:
Oh, I think you're beautiful. Just beautiful, beautiful, beautiful. Didn't make the public eye.
[00:14:07] Unknown:
What does Chicago, Brillo?
[00:14:12] Unknown:
Well, I must say my departure, and may I mention my congratulations on your veterinary certificate here?
[00:14:19] Unknown:
You bet you're. And I'm glad to have met yours.
[00:14:24] Unknown:
Well, goodbye. And I consider myself what you need to effecting up with you.
[00:14:30] Unknown:
Am I glad she's done? This kid could ruin my dickin' and lass up my punctuation. Hey, mister Della. Pickin' Beryl Maxwell. Oh, there you are, Lewis, honey. Oh, rabbit. You called me by my maiden name again. Lewis.
[00:14:48] Unknown:
Lewis, honey, I've heard all about your brave gesture, my little bubble knows what Roger.
[00:14:54] Unknown:
Oh, Marilyn. My fair haired flying fortress. Make me your target for tonight and bomb me with hisses.
[00:15:01] Unknown:
Louis, honey, come into my arms. Bombs away.
[00:15:04] Unknown:
Marilyn, when I'm close to you like this, do you notice how my eyes light up? Yes, Louis. What does that mean? It must mean something. I ain't no pinball machine.
[00:15:16] Unknown:
Lewis darling, you're so romantic. You and I are like those two little lovebirds out there in that tree. She's a little girl lovebird and a little boy lovebird. What do you think they're talking about? When?
[00:15:30] Unknown:
Oh, Marilyn Marilyn, my darling, when you hold me like this, I feel just like a bubble, a beautiful bubble, floating eastward with the trade winds. Well, what was that? Some white guy in Brooklyn with a BB gun. Well, here we are, Godzilla. Come on. Climb into that rocket. At it. I'm scared. I'm afraid of tight places. I even get dizzy when I lick a air mail stand. My boy, you have nothing to fear. I'm going to help you. First, I'll boost you into the rocket and strap you into the cockpit. Then I'll bolt a hydromatic gyro to your fuselage. I'll rivet your altimeter to your instrument panel. I'll connect your mix master to your radar, and then I'll weld your antenna to your oscillator.
You wouldn't dare. You haven't got the nerve. Came on you, Costello. Hey, look. Here comes the whole gang with Merlin to see you off. Oh, Lewis, my darling. You're gonna be a hero. When you come back, everyone will say. Susie, would you tell us 50 good of your faith how you got that great reputation?
[00:16:48] Unknown:
Are you and Rickenbacker and the famous Howard Hughes? Build up the nation's aviation.
[00:16:55] Unknown:
My advice to fighters is never too big cross. If your parents took down offense, report it to the board.
[00:17:01] Unknown:
Fine boy, I'm so sorry.
[00:17:08] Unknown:
Well, these all great fella,
[00:17:31] Unknown:
Tell me, Cartelo. A great scientist like you must have some form of relaxation. What do you do to relieve nervous tension? What do I do? I'm a forever flowing bubble with my double bubble of good. One time, blue heart, and I heard a blast. My gum muffler win my potter
[00:18:45] Unknown:
My honeymoon, you're way up in the status there. I'm going to miss you so much. I'll just think of all those wonderful times we've had together.
[00:18:53] Unknown:
Come on, Gastel. Get into that rocket. Have it. I ain't gonna do it. I ain't gonna do it. Came on you. You're a disgrace to the history of aeronautics. Yeah. The lioness has been fighting for years to advance aviation. In nineteen hundred to six, the Wright brothers. What were they fighting for? The first airplane flight. Right. In 1926, Charles Lindbergh. What was he fighting for? Flight the Atlantic Ocean. In 1936, how are you? What was he fighting for? To fly around the world. And in 1946, what are you fighting for? To stay on the camel's cigarette throw, Greg.